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THE SIGNIFICANCE OF THE RELIGIOUS ART AND SYMBOLISM IN URHOBO RELIGIOUS BELIEF

THE SIGNIFICANCE OF THE RELIGIOUS ART AND SYMBOLISM IN URHOBO RELIGIOUS BELIEF

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TABLE OF CONTENTS

Title Page

Certification

Dedication

Acknowledgments

Abstract

Table of Contents

 

CHAPTER ONE: INTRODUCTION  

1.1    Background to the Study

1.2    Statement of the Problem

1.3    Purpose of the Study

1.4    Significance of the Study

1.5    Research Questions

1.6    Delimitation of the Study

1.7    Limitation of the Study

1.8    Definition of Terms

 

CHAPTER TWO:          REVIEW OF RELATED LITERATURE

CHAPTER THREE:       RESEARCH METHODS

3.1    Area of the Study

3.2    Research Design

3.3    Population of the Study

3.4    Sample and Sampling Technique

3.5    Instrument for Data Collection

3.6    Validation of the Instrument

3.7    Reliability of Instrument

3.8    Administration of the Instrument

3.9    Method of Data Analysis

CHAPTER FOUR: DATA ANALYSIS AND DISCUSSION OF FINDINGS

4.1    Data Analysis

4.2    Discussion of Findings

CHAPTER FIVE: SUMMARY, RECOMMENDATIONS AND CONCLUSION

5.1    Summary

5.2    Recommendations

5.3    Conclusion

5.4    Suggestions for further Study

References

Appendix

 

CHAPTER ONE

INTRODUCTION

 

1.1          Background to the Study

In brief, the Urhobo people is an ethnic group located in the Niger Delta region of Nigeria, boast a rich cultural and religious heritage deeply intertwined with their daily lives. Moreover, central to their existence is a vibrant tapestry of religious beliefs, rituals, and ceremonies, each infused with symbolic significance. However, in recent years, scholarly interest has burgeoned in exploring the various facets of Urhobo religious practices, with a particular focus on the profound role played by religious art and symbolism. In fact, this surge in academic attention can be attributed to an increasing recognition of the unique cultural perspectives and spiritual dynamics that underpin the Urhobo people’s worldview.

 

Furthermore, the curiosity of understanding the religious practices of the Urhobo necessitates delving into the multifaceted layers of their cosmology. Moreover, as a people deeply connected to the land and the elements. Undeniably, the Urhobo articulate their spiritual beliefs through a diverse array of rituals and ceremonies. Thus, these practices often involve the creation and deployment of religious art and symbols, each carrying nuanced meanings reflective of the community’s historical experiences and worldview.

In addition, Scholars such as Smith (2019) and Okotie (2021) have made notable contributions in elucidating the intricacies of Urhobo religious symbolism, shedding light on the profound symbolism embedded in their artistic expressions.

 

THE SIGNIFICANCE OF THE RELIGIOUS ART AND SYMBOLISM IN URHOBO RELIGIOUS BELIEF

Moreover, the contemporary context amplifies the significance of studying Urhobo religious art. Nevertheless, in an era of globalization and cultural exchange, the preservation and understanding of indigenous religious practices face challenges. The academic exploration of Urhobo religious art not only serves to document and conserve this cultural heritage but also fosters cross-cultural appreciation and understanding. Evidently, pioneering research by scholars like Adeoti (2020) has emphasized the urgency of recognizing and preserving traditional African religious practices in the face of cultural homogenization.

 

Importantly, the exploration of Urhobo religious art offers insights into the dynamics of religious syncretism within the region. The interplay between indigenous beliefs and external influences, whether from colonial encounters or contemporary global trends, is evident in the evolution of religious symbolism among the Urhobo. A study by Obaro (2018) provides a nuanced examination of the ways in which external factors have shaped and modified traditional religious art among the Urhobo, underscoring the adaptive nature of their spiritual expressions.

 

Furthermore, the study of Urhobo religious art contributes significantly to the broader discourse on African traditional religions and their resilience in the face of historical and contemporary challenges. With increasing attention on African spirituality and its role in shaping cultural identities, Urhobo religious practices offer a unique case study. Works by Omoigui (2017) and Akpokighe (2022) exemplify the growing body of literature that seeks to situate Urhobo religious art within the larger context of African religious studies.

 

Hence, the significance of religious art and symbolism in Urhobo religious belief transcends its aesthetic appeal. In any case, it serves as a gateway to understanding the intricate tapestry of their cosmology, documenting cultural heritage, and navigating the complexities of religious syncretism. Besides, as the Urhobo people grapple with the challenges of preserving their traditions in a rapidly changing world, scholarly inquiries into their religious art become paramount for the appreciation and conservation of their unique cultural identity. Equally important, this research aims to contribute to this growing body of knowledge, shedding light on the profound role played by religious art and symbolism in the religious beliefs of the Urhobo people. Therefore, based on this background, this study aimed to examine the significance of the religious art and symbolism in Urhobo religious belief.

 

1.2          Statement of the problem

Undeniably, the research into the significance of religious art and symbolism in Urhobo religious belief is prompted by a discernible lacuna in scholarly comprehension and preservation efforts regarding this distinctive cultural legacy. Despite the escalating interest in African traditional religions, a noticeable research gap exists, specifically concerning the intricate role played by religious art and symbolism within the Urhobo religious milieu. This knowledge void becomes particularly pronounced given the pervasive influences of globalization and cultural homogenization, which present tangible threats to the perpetuation of indigenous practices.

In fact, the imperative of this study is underscored by the necessity to systematically document and analyze Urhobo religious art, elucidating its profound meanings, cultural contexts, and adaptive responses to external influences.

Moreover, the research endeavors to scrutinize the repercussions of contemporary phenomena, such as globalization and religious syncretism, on Urhobo religious art. Indeed, the swift societal transformations and heightened exposure to external influences prompt an inquiry into the resilience and adaptability of traditional religious symbols and practices.

Furthermore, thoroughly examining the challenges encountered by Urhobo religious art in maintaining authenticity and integrity within the evolving cultural milieu is indispensable for a nuanced understanding of the dynamic forces at play. Through addressing these issues, the research aspires to contribute not only to a specific comprehension of Urhobo religious beliefs but also to the broader discourse on safeguarding African traditional religions in the face of a swiftly transforming global landscape. Therefore, this study aimed to examine the significance of the religious art and symbolism in Urhobo religious belief.

 

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Ikemesit

Ikemesit Akpan is my name. I am a Nigerian author. I work with projectboss.com.ng. I'm a researcher and a writer of academic research. ikemesitetukapan20233@gmail.com

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